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Digital forms of emoticons on the Internet were included in a proposal by Scott Fahlman of Carnegie Mellon University in Pittsburgh, Pennsylvania, in a message on 19 September 1982.
The National Telegraphic Review and Operators Guide in April 1857 documented the use of the number 73 in Morse code to express "love and kisses" (later reduced to the more formal "best regards").
The September 1962 issue of MAD Magazine published an article titled "Typewri-toons." The piece, featuring typewriter-generated artwork credited to "Royal Portable," was entirely made up of repurposed typography, including a capital letter P having a bigger bust than a capital I, a lowercase b and d discussing their pregnancies, an asterisk on top of a letter to indicate the letter had just come inside from a snowfall, and a classroom of lowercase n's interrupted by a lowercase h "raising its hand." In 1963 the "smiley face", a yellow button with two black dots representing eyes and an upturned thick curve representing a mouth was created by freelance artist Harvey Ball.
It was realized on order of a large insurance company as part of a campaign to bolster the morale of its employees and soon became a big hit.
This smiley presumably inspired many later emoticons; the most basic graphic emoticon that depicts this is in fact a small yellow smiley face.
In a New York Times interview in April 1969, Alden Whitman asked writer Vladimir Nabokov: "How do you rank yourself among writers (living) and of the immediate past?
They offer another range of "tone" and feeling through texting that portrays specific emotions through facial gestures while in the midst of text-based cyber communication.
The word is a portmanteau word of the English words "emotion" and "icon".
For example, can all be used interchangeably, sometimes for subtly different effect or, in some cases, one type of character may look better in a certain font and therefore be preferred over another.For example, WOBTAX and VICTORY both produced convincing smiley faces (where the overprinted characters produced the solid background, and pixels untouched by any of the characters produced the actual design).This developed into a sophisticated set, particularly in combination with superscript and subscript.Seeking to prevent Walmart from using any smiley face design, Nicolas Loufrani next sued Walmart in federal court in 2009, while claiming that his smiley face was "readily distinguishable" from Walmart's.The case was closed in 2011 when the two parties agreed to settle out of court.
In 2001, Walmart opposed the registration, citing a likelihood of confusion between the Loufrani smiley and a smiley face Walmart had been using since 1990.